The great artists behind Pixar’s Finding Nemo took videos of the ocean’s surface from the ocean floor. It isn’t entirely up to computers to achieve great lighting to really nail this look, artists must also study how light works in real life. 'Beauty and the Beast' Credit: Disney Taking inspiration from reality This method is used especially in newer animation and is the reason these films look so realistic. Naturally, reflections are made on glassy surfaces like water or windows. Path tracing shoots out multiple rays that bounce around until the light source is located in the scene. This shows what surfaces are translucent or solid, depending on how light is reflected. Ray tracing is a rendering method that uses the virtual camera to shoot out a light-sensing ray until it hits an object in the scene. 'Monsters, Inc.' Credit: Pixar Ray Tracing vs.
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Skin is slightly translucent and absorbs light in ways that a hard surface doesn’t, so lighting artists must up the glow of a person’s skin whenever they’re around brighter lights. Something like a jacket could be more prone to something like reflectiveness as opposed to roughness.Īnother unique example of surfaces reacting to light is how human skin is portrayed on screen. Surfacing artists will assign numerical values to something in the frame. For example, roughness and shine are two textures that are affected by surfacing.
This determines an object’s texture and how it will appear when light hits it.
Here are a couple of ways artists light an animated film. Additionally, it also identifies the exact number of lights, light sources, colors, and even how much shadow your subject is casting. This tells the lighting team how much light should be present in a scene. The vibrant nature of the moon kingdom is matched by the colors and light added by the artists.įurther into production, color scripts get transformed into a color key. When these frames are viewed consecutively, the director and production designer can determine the emotional story arc.įor example, in Netflix’s Over The Moon, the light on earth and in the moon kingdom are vastly contrasted to get a certain emotional response from the viewer. Though lighting is one of the final elements added, artists have to think about it way ahead of time.Īrtists create blueprints called color scripts, which are hand-painted frames that depict scenes throughout a storyline.much like a storyboard only more detailed in terms of tone.
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